Alice's Adventures in Wonderland

Our quick guide to Christopher Wheeldon's wildly imaginative family ballet, based on Lewis Carroll's classic tale.

Henry Liddell, the Dean of Christ Church College, Oxford, and his wife are hosting a garden party. Alice is saddened to see her friend Jack, the gardener’s boy, sent away in disgrace. Lewis Carroll, a lecturer in mathematics and friend of the family, consoles her by offering to take her photograph. He disappears beneath the camera cloth and, to Alice’s surprise, emerges as a White Rabbit. When he bounds into his camera-bag and vanishes, Alice follows him, and falls… and falls… and falls…

Quick Facts

How long does the Alice's Adventures in Wonderland Ballet last?  

The ballet of Alice's Adventures in Wonderland lasts approximately 2 hours and 50 minutes, including two intervals.

Who wrote Alice’s Adventures in Wonderland? 

Alice’s Adventures in Wonderland was published in 1865 by the English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. 

Who choreographed Alice’s Adventures in Wonderland?

Christopher Wheeldon is the choreographer of Alice's Adventures in Wonderland. His 2011 ballet was The Royal Ballet's first commissioned full-length ballet in more than twenty years."  

History

A Rabbit’s Tale for Alice

Alice’s Adventures in Wonderland was published in 1865 by the English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. The novel was inspired by a story he told Lorina, Alice and Edith Liddell – the daughters of the Dean of Christ Church College – which Alice asked him to write down for her. Its lively fantasy world, vivid characters and logical games beneath the surface have inspired countless adaptations, especially in film and theatre.

Alice's Adventures in Wonderland Synopsis

When Jack, the gardener’s boy, brings in a basket of roses, Alice’s mother – always pernickety about appearances – rejects the red one as being out of place among the white ones. Jack and Alice are friends. He gives her the discarded red rose and in return she gives him a jam tart that she has taken from a passing tray. This leads to disaster: Alice’s mother seizes on it as a pretext to accuse Jack of theft and dismiss him.

The clock strikes four. Guests arrive and the party begins. Alice is devastated to see Jack leaving the house in disgrace. Lewis Carroll consoles her by offering to take her photograph. He disappears beneath the camera cloth and, to Alice’s surprise, emerges as a White Rabbit. When he bounds into his camera-bag and vanishes, Alice follows him, falls…

…falls further… 

…and lands with a thump in a mysterious corridor. Through a keyhole, Alice spies a magical garden. She longs to enter it but, to her dismay, all the doors are locked. 

Unexpectedly Jack, transformed into the Knave of Hearts, rushes through the hall pursued by the Queen of Hearts, her guards and the White Rabbit: the Knave has been accused of stealing a plate of jam tarts. Alice wants to follow them but the door slams in her face, and the only unlocked door is too small to let her through. A bottle appears: Alice bravely drinks from it and at once becomes so tiny that she can’t even reach up to the door handle. She tries a nibble of cake, which has the effect of making her enormous. She cries with frustration and, by waving a fan, shrinks so drastically that her tears form a lake big enough for her to swim in. 

She is joined in the pool by a variety of animals who swim about and finally collect on the shore. In the hope that the exercise will dry them off and cheer them up, Alice arranges a caucus race after which…

…the White Rabbit appears and, although in a hurry, leads Alice further into Wonderland.

Outside an idyllic country cottage a fish-footman appears, bringing an invitation to a Duchess to attend the Queen of Hearts’s croquet party. The Duchess’s footman – a frog – invites him into the cottage, leaving Alice with the invitation. She enters the cottage…

…to find a menacing kitchen where the Duchess is tending a squealing baby as the Cook makes sausages. The Duchess is delighted with the royal invitation, while the Cook is envious and resentful. The mood becomes increasingly violent, apart from a moment of tranquility brought about by the mysterious appearance of a Cheshire Cat. Fearful for the baby’s safety, Alice rescues it, but when it turns into a pig the Duchess takes it from her and carries it back to the kitchen for a future as a string of sausages. 

The White Rabbit reappears, anxious about his forthcoming duties at the Queen’s croquet game. He warns Alice not to follow him to the Royal Garden; it is notoriously dangerous to be anywhere near the bad-tempered Queen.

Without warning the Knave dashes in with the tray of tarts, still pursued by the Royal Guards. The White Rabbit has no choice but to hide Alice and the Knave in the Duchess’s cottage. The Royal Procession arrive, out for the regular afternoon stroll. The ever opportunistic Duchess greets the Queen with a gift of her special sausages. Revolted, the Queen orders the procession to move on…

…and the White Rabbit gives the Knave the all clear to make his escape. Alice tries to go with him but the White Rabbit and the Knave agree it is far too dangerous for her. They blindfold her to prevent her from following.

Confused as to which way to go, Alice asks the Cheshire Cat for directions, but his vagueness leaves her more confused than ever and she finds herself…

…at the bizarre tea table of the Mad Hatter, a March Hare and a sleepy dormouse. Alice escapes their crazy tea party…

…and finds herself alone and lost. ‘What a strange place Wonderland is.’ She wonders how to find the Knave, and longs to enter the beautiful garden. An exotic caterpillar, perched on a mushroom, lifts her spirits and, before disappearing, gives her a piece of mushroom. 

Alice finds herself back in the hallway of doors where she first arrived. She remembers the Caterpillar’s gift, nibbles the sliver of mushroom, and the walls and doors disappear. At last she finds herself in the garden she was searching for.

The Knave appears, still fleeing his pursuers, and is as delighted to see her as she is to see him. But their time together is all too short: the Queen of Hearts arrives flanked by her guards. Furious, she orders the capture of the Knave, but he escapes. The White Rabbit dashes after them, reluctantly taking Alice with him, even at the cost of leading her into danger. 

In the garden of the Queen of Hearts, Alice finds three nervous gardeners splashing red paint on the rosebushes: they have mistakenly planted white ones, which the Queen of Hearts detests. 

The Queen arrives along with the King, the Court, the Duchess and the Cook. The gardeners haven’t yet finished painting the rosebushes, so the Queen orders the gardeners to be executed. While the Executioner is distracted by the amorous attentions of the Cook, Alice and the White Rabbit smuggle the grateful gardeners out of sight. 

The Queen displays her dancing skills to the Court, after which she and the Duchess pick their teams for the croquet game. Flamingos will be the mallets and hedgehogs the balls. To the Queen’s dismay, the Duchess scores the first points: she’s much better at this than anyone expected. 

Meanwhile the Knave, risking all by being there, catches Alice’s attention from behind a hedge. As the game shifts to another part of the garden, the two are reunited.The Queen is so chagrined by her rival’s success that she cheats at the game. The Duchess challenges her, whereupon the Queen orders her execution. The King, ever patient, calms the Queen down while Alice helps the Duchess to slip away. 

The Knave rejoins Alice, but this time he is discovered and the Queen orders the guards to haul him to the castle to face trial. When the Cheshire Cat makes another mysterious appearance, Alice uses the distraction to follow the Knave. 

At the castle, the White Rabbit prepares the courtroom for the trial. The witnesses are brought in, followed by Alice. The plate of tarts is displayed as key evidence, the members of the Court take their places and the White Rabbit heralds the arrival of the King and Queen of Hearts. The Queen seizes her moment to exercise her authority over the proceedings, the Knave is brought in for trial and the proceedings begin.

The first witness is the Mad Hatter, followed by the Caterpillar, the March Hare, the Dormouse, the fish- and frog-footmen, the Duchess and the Cook. In a moment of total mayhem, they all accuse the Knave. 

The King finally asserts himself and offers the Knave the chance to speak in his own defence. When his testimony produces little effect, Alice intervenes with all the force she can muster. The Knave is innocent, she insists: if anyone is guilty, it is she. Together, they deliver a final testimony and win the hearts of everyone but the Queen.

Unmoved by the Court’s entreaties, the Queen seizes an axe in order to strike the fatal blows herself. A chase ensues, during which the White Rabbit and the witnesses attempt to hide the Knave and Alice. But the Queen discovers them and does her best to turn the Court against them. With no escape in view, Alice pushes a witness over. He falls over on top of another, who then falls on another, which results in the collapse of the entire Court: they’re only playing cards, after all.

And in the midst of the chaos, Alice awakes.

Pictures and videos

Gallery

Gallery

Production

A Family Ballet

Christopher Wheeldon's 2011 ballet Alice's Adventures of Wonderland was The Royal Ballet's first commissioned full-length ballet in more than twenty years. Royal Ballet Principal Edward Watson, who created the role of the White Rabbit, describes Alice as ‘one of those brilliant ballets that appeals to everyone’. The colourful fantasy world and curious creatures of Carroll’s story immediately captivate younger audience members, while Wheeldon’s choreography – which varies between wry understatement and joyful exuberance – along with stunning stage effects and projections by Bob Crowley, Jon Driscoll, and Gemma Carrington make Alice's Adventures in Wonderland a treat for all the family.

Barry Wordsworth, former Music Director of The Royal Ballet, was conductor for the first performances and nurtured the orchestra through the development of the new score: 'One of the ways to make ballet popular in this country is to make it theatre ballet... ballet that tells stories and allegories. I think this is a very important part of The Royal Ballet's heritage.'

The Music

Composer Joby Talbot carefully weaves thematic threads throughout the whole piece, creating a sense of telling a story and going on a dramatic journey. Each character also has theme unique to them. The Mad Hatter – created on Steven McRae – uses lots of tap dancing in the role. The music incorporates this with rhythmic joy. In the flower garden of the Queen of Hearts, audiences may recognise the famous Rose Adage from the ballet The Sleeping Beauty.

Talbot wanted to portray the magical element through an array of instruments that you don't hear every day – primarily percussion. We've got an enormous percussion section: five players and a terrific variety of instruments. 

The Sound of Wonderland

Joby Talbot’s score for Alice’s Adventures in Wonderland has been described as ‘sublimely witty… a lush soundscape that drives the action’. One of its most striking features is the variety of unusual techniques and instruments that Talbot uses to match Wheeldon’s distinctive characters. These range from a violin tuned up a semitone for the ‘highly-strung’ Queen of Hearts to a celesta and ram’s horn trumpet for the White Rabbit, and North African percussion for the Caterpillar.

Composer Joby Talbot carefully weaves thematic threads throughout the whole piece, creating a sense of telling a story and going on a dramatic journey. Each character also has theme unique to them. The Mad Hatter – created on Steven McRae – uses lots of tap dancing in the role. The music incorporates this with rhythmic joy. In the flower garden of the Queen of Hearts, audiences may recognise the famous Rose Adage from the ballet The Sleeping Beauty.

Talbot wanted to portray the magical element through an array of instruments that you don't hear every day – primarily percussion. We've got an enormous percussion section: five players and a terrific variety of instruments. 

Eclectic Dance Styles

Although created in 2011, Alice's Adventures in Wonderland draws upon lots of 19th-century classical ballet technique. There are event extracts and parodies of some of the most famous elements of ballet history. In the garden of the castle of the Queen of Hearts we find two references to classical ballets; the Flower Waltz recalling the 'Waltz of the Flowers' from The Nutcracker, and the Queen of Hearts attempting the Rose Adage from The Sleeping Beauty.

Wheeldon draws on other techniques including musical theatre and pantomime. The Mad Hatter, for example, combines tap and theatre, The Cheshire Cat is created through puppetry and The Caterpillar is created by a chorus line of dancers en pointe.

You can hear about Bob Crowley's design process and the inspiration behind his designs on Royal Ballet and Opera Stream.

Watch more

You can watch a rehearsal from the 2017 performances of Alice's Adventures in Wonderland on Royal Ballet and Opera Stream.

Watch a performance

Alice's Adventures in Wonderland runs from 28 September – 1 November 2024 and 13 June – 6 July 2025. There are many other ways to watch:

  • Linbury Theatre

Insights: All About Alice

9 September 2024
  • Insight Event

Be prepared for some of the most flamboyant and familiar characters in dance to come face to face, as hip-hop meets ballet in an explosion of colour, choreography and extravagant design.

A production of Alice's Adventures in Wonderland performed by the Royal Ballet. A dancer as the Queen of Hearts gives a wide eyed stare to two other dancers dressed as her footmen. The costumes are a vivid red, and the Queen emerges from an enormous heart shaped dress.
  • Main Stage

Alice's Adventures in Wonderland

  • Ballet and Dance

Tumble down the rabbit hole in this ballet adaptation of Lewis Carroll’s famous family story.

  • CINEMA

Royal Ballet and Opera in Cinemas

Tumble down the rabbit hole in this ballet adaptation of Lewis Carroll’s famous family story.

Live in cinemas: Tuesday 15 October 2024
Encores from: Sunday 20 October 2024

In a production of Alice's Adventures in Wonderland, the stage background is a whimsical woodland scene with animals and trees appearing as a silhouette. A spotlight illuminates Alice, who has brown hair and is wearing a purple dress, and the white rabbit, who has pointed ears and pink sunglasses. They are standing in an enlarged paper boat, folded from a page from the book Alice's Adventures in Wonderland.
  • ONLINE

Royal Ballet and Opera Stream

Follow Alice down the rabbit hole in this ballet interpretation of Lewis Carroll's children’s classic.

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