Chloe Lamford

Lamford trained in Theatre Design at Wimbledon School of Art. Opera includes Innocence, Rusalka, Theodora (ROH); The Handmaid’s Tale (Royal Danish Opera); La bohème (ENO); Innocence, Ariadne auf Naxos (Finnish National Opera, Aix-en-Provence) and Pelléas & Mélisande (Tokyo, Polish National Opera, Aix-en-Provence). Theatre and dance includes Phaedra, Othello, John, Amadeus, Rules for Living, The World of Extreme Happiness (National Theatre); Get Up, Stand Up! The Bob Marley Musical (Lyric Theatre); The Antipodes (co-director, NT); Traplord (180 Studios); Hilary and Clinton (Broadway); J’OUVERT (co-designer, Harold Pinter Theatre); The Song Project, Shoe Lady (Royal Court); Europe (Donmar Warehouse); The Duchess of Malfi (Almeida); The American Clock (The Old Vic); Our Ladies of Perpetual Succour (NT, West End and NT Scotland); The Crucible (Theatre Basel); Hamilton Complex (Schauspielhaus Bochum); Jubilee (Royal Exchange Theatre, Lyric Hammersmith); 1984 (Headlong, West End and Broadway); Shakespeare’s Last Play, Atmen and Ophelia’s Zimmer (Schaubühne Berlin); De Maiden (Toneelgroep Amsterdam); Pity, Gundog, Road, Unreachable, The Twits, How to Hold Your Breath, Circle Mirror Transformation, The Internet is Serious Business and 2071 (RC).