Moritz Junge

Moritz Junge is a costume designer. His opera and ballet work includes Così fan tutte (Opera Australia), Cavalleria rusticana/Pagliacci (Metropolitan Opera, New York), Les Troyens, Aida and The Tempest (Royal Opera), Don Carlo (Bolshoi), L’Anatomie de la sensation (Paris Opera Ballet), Outlier (NYCB), Daphne (La Monnaie, Brussels), Dyad 1929 (Australian Ballet), Renature (NDT) and La Cenerentola (Glyndebourne). For The Royal Ballet his work includes Multiverse, Live Fire Exercise, Limen, Infra (also Joffrey Ballet, Mariinsky Ballet) and Chroma (also Alvin Ailey, Boston Ballet, National Ballet of Canada, San Francisco Ballet, Royal Danish Ballet, Bolshoi, DNB). Designs for theatre include A Midsummer Night’s Dream (Shakespeare’s Globe), In the Republic of Happiness (Royal Court), The Kitchen, Dido, Queen of Carthage and The Hour We Knew Nothing of Each Other (NT), Judgment Day (Almeida) and All About my Mother (Old Vic). He designed costumes for the London 2012 Paralympics opening ceremony. He was an overall winner of the Linbury Prize for Stage Design.