In a close-knit village, an exiled man turns to the punishing sea.
Britten’s brooding opera returns. Deborah Warner’s staging foregrounds the vulnerability and volatility of the shunned Peter Grimes, and the tragic conflict between the individual and group.
Teatro Real, Madrid, Teatro dell'Opera di Roma and Opéra National de Paris
Royal Ballet and Opera Principal Julia Rausing Trust
The Britten Production Syndicate and Royal Ballet and Opera Patron
Peter Grimes, a fisherman in a small coastal town, is accused of mistreating his apprentice, who has died under mysterious circumstances at sea. Though cleared of legal guilt, he faces the judgment and hostility of the villagers. Determined to prove himself, Peter takes on another young apprentice. But against the harshness of the sea and increasing pressure from the village, his fragile grip on reality begins to crumble. Tragedy strikes again when the second apprentice dies. Consumed by guilt and madness, the alienated Peter returns to the sea.
Allan Clayton, Bryn Terfel and Maria Bengtsson star in Britten’s bleak operatic parable, in which the dark undercurrents of paranoia and mob mentality lead to a turbulent, haunting end. Deborah Warner’s (Billy Budd, Wozzeck) stunning contemporary staging – which had its premiere in 2022, as part of The Royal Opera's Britten Cycle – illuminates the humanity of the shunned Grimes, while Britten’s evocative score pulses with dread and tension as the villagers close in on their troubled outcast. Music Director of The Royal Opera Jakub Hrůša conducts.
Britten’s work is often characterised by its emotional richness, technical brilliance and ability to connect human drama with larger natural and social forces. Reoccurring elements – thematic motifs, atmospheric orchestration and psychological insight – infuse his operas with layers of meaning, allowing for deeper exploration into the minds of his protagonists. Though rooted in tonality, Britten frequently employs dissonance to heighten tension and portray psychological complexity. Listen out for Peter Grimes' aria ‘Now the Great Bear and Pleiades’, which uses unconventional harmonic shifts to reflect the fisherman’s alienation and inner turmoil.
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