When the spirited chambermaid Vespetta marries her way out of servitude, her master Pimpinone gets more than he bargained for.
The Jette Parker Artists bring Telemann’s rarely performed comic opera to life on the Linbury Stage in 2025 to celebrate its 300th anniversary.
Oak Foundation
Act I: Winter
Vespetta is an out-of-work housemaid in search of a stable income. Pimpinone, a wealthy homeowner, is looking for someone to tidy his home, and dispose of the aftermath of his Christmas party. Pimpinone employs Vespetta in his home.
Act II: Summer
After a gambling party, Vespetta threatens to leave Pimpinone’s employment because he isn’t treating her well. He lavishes her with gifts and persuades her to marry him.
Act III: Years later
Pimpinone and Vespetta are now married and have a child. In the aftermath of their son’s birthday party, Vespetta laments her diminished state as Pimpinone’s wife, and seeks to improve her life. Initially taken aback by his wife’s forthrightness, Pimpinone finally agrees to accept the new, empowered Vespetta, because he loves her.
The three scenes that make up Telemann’s Pimpinone were first performed between the acts of Handel’s Tamerlano in 1725 and only later repeated as an independent work.
Pimpinone: an operatic rarity
Georg Philipp Telemann composed the German-language opera, Pimpinone, in 1725. The librettist was Johann Philipp Praetorius. The opera was originally performed between the acts of Handel’s opera seria, Tamerlano, with the premiere taking place in Hamburg in 1725. Although the composer was alleged to have created at least 50 operas in his lifetime, only 35 survive, from which, very few recordings and productions exist. This production offers a rare chance to see a staged Telemann opera.
The story of an empowered woman
The subtitle of Telemann’s opera is ‘An unequal marriage’. The opera is a satire on class and gender hierarchies, and it is written for just two singers. The opera unfolds over three acts, and tells the story of Vespetta, a young servant, and Pimpinone, a wealthy man, who employs, and later marries her. When Vespetta begins to feel suffocated in her marriage, she takes action by demanding a better, more equal relationship with her husband.
A new production, with musical additions
In this production, directed by Sophie Gilpin, designed by Anna Yates and conducted by Peggy Wu, additional musical material is supplied in the form of the three movements from a complete instrumental work (the Sinfonia Spirituosa in D major, TWV 44:1), also by Telemann. The staging is inspired by 1960s London, a time when societal views of marriage were becoming less conservative, and women were becoming more empowered.
Baroque opera in the Linbury Theatre
Building on the success of The Royal Opera’s performances of Handel’s Covent Garden works on the Main Stage, Pimpinone is the latest in a recent series of Baroque opera performances that have taken place in the Linbury Theatre. Vivaldi’s operas, Bajazet and L’Olimpiade are two such examples, both of which were co-productions with Irish National Opera, and which were new to Covent Garden. Pimpinone, with its connection to Handel’s Tamerlano, marks the first performance of a Telemann opera in Covent Garden.
For step free access and wheelchair spaces in the Linbury Theatre, you will need to book seats on the right-hand side of the auditorium.
We have an assistive listening system available to use.
Upcoming Accessible performances of Pimpinone:
There will be a British Sign Language Interpreted, Audio Described and Relaxed performance on 11 May 2025 at 2pm with a Touch Tour before the performance at 12.45pm.
There will be a British Sign Language Interpreted, Audio Described performance on 15 May 2025 at 7.15pm with a Touch Tour before the performance at 6.00pm.
Touch Tours must be booked by contacting boxoffice@roh.org.uk for tickets.
Join our Access Scheme for priority access performance tickets and to personalise your account for your access requirements.
The Royal Ballet and Opera is a charity and relies on your support. No matter the size, every gift is critical to our work and helps us to secure the future of ballet and opera.
Your donation will enable us to keep extraordinary work on our stages, inspire the next generation and support the Royal Ballet and Opera's community of artists, technicians and craftspeople.
Culture, crafted by contribution
Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775)