Trouble In Tahiti + A Quiet Place
Trouble In Tahiti + A Quiet Place
Trouble In Tahiti + A Quiet Place
Portraits of a family, 30 years apart, in two Leonard Bernstein operas.
Oliver Mears directs a new production of Bernstein’s operas in which one family’s fate becomes a microcosm for the troubled soul of America.
Oliver Mears directs a new production of Bernstein’s operas in which one family’s fate becomes a microcosm for the troubled soul of America.
TWO STORIES, 30 YEARS APART
Trouble in Tahiti
Trouble in Tahiti depicts a day in the life of Sam and Dinah, a married couple at odds with one another and the happy suburban life they crave. Unable to connect with his wife, Sam retreats into a hyper-masculine world of physical fitness, while Dinah turns to therapy and shopping. A trip to the cinema to see the latest film (Trouble in Tahiti) offers a window onto another world – but can the couple hold onto the illusion of happiness?
A Quiet Place
A Quiet Place picks up the story 30 years later, after a family tragedy brings their children home. Dinah has been killed in a car crash, and as Sam wrestles with his grief at the funeral, his daughter Dede and her husband François pay emotional tribute to her mother. His son, Junior, makes a chaotic late appearance, prompting an angry outburst from his father. As the family navigates their grief, memories of the past rise to the surface, prompting a series of confrontations.
Trouble in Tahiti / A Quiet Place is suitable for ages 16+. Please read the full synopsis for more detail.
Background
With catchy tunes and show-stopping numbers, Leonard Bernstein’s musical theatre credentials shine through in Trouble in Tahiti. A Quiet Place marks a radical, daring departure. Oliver Mears brings Leonard Bernstein’s rarely-performed operas to the Linbury Theatre in a new production with a small ensemble arrangement, ideally suited to an intimate theatre space. Conductor Nicholas Chalmers makes his debut with The Royal Opera in both works, which star Henry Neill and Wallis Giunta – also debuting – in Trouble in Tahiti, and Grant Doyle, Henry Neill and Rowan Pierce in A Quiet Place.
Leonard Bernstein
Leonard Bernstein was a hugely influential figure of 20th-century musical and popular culture. A gifted conductor and a skilled music educator, he was responsible for introducing a new generation to classical music through his performances and televised musical lectures. As a composer, he found success in the world of musical theatre, composing the score of On the Town in 1944, and the award-winning music for West Side Story in 1957.
Music of satire and symphony
Bernstein satirises the American consumerist ideal in Trouble in Tahiti with a close-harmony trio who sing advertising slogans and jarringly jolly tunes, while Sam and Dinah struggle to find happiness. In A Quiet Place, the introspective instrumental sections contrast with the conflict-driven ensembles, where we see the family trading insults and accusations at breakneck speed.
Art imitating life?
Bernstein wrote much of Trouble in Tahiti while on honeymoon with his wife, the actor Felicia Montealegre. Given that the opera is a study in marital discord, this an unusual choice. A Quiet Place was composed in the aftermath of Felicia's death from cancer and sees Bernstein pouring his grief into the music and the story. The opera also touches on themes of bisexuality – again, personal to Bernstein – through the character of François, who is married to Dede, but who has a romantic history with her brother, Junior.
Join us for our exclusive Insights: Bernstein — the real maestro where director Oliver Mears leads a discussion delving into the life, work and unforgettable legacy of Leonard Bernstein.
Image: Gregory Crewdson, Untitled, 2003-2008, Digital pigment print © Gregory Crewdson
Cast and Creatives
Trouble In Tahiti
Creatives
A Quiet Place
Creatives
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Access
For step free access and wheelchair spaces in the Linbury Theatre, you will need to book seats on the right-hand side of the auditorium.
We have an assistive listening system available to use. The opera is sung in English with English surtitles. Captions and translations will be displayed on screens above the stage and around the auditorium.
An Audio introduction, a BSL interpreted synopsis and a visual story for this production is available.
Please complete a brief survey regarding our Visual Stories and Relaxed Performances. Your feedback is important to us and will be used to enhance our accessible features for future performances. We thank you for your time.
Join our free Access Scheme to book for these performances. Our Access Scheme allows you to customise your account so we can meet your requirements throughout the booking process. Once you join, you'll be able to select tickets for the accessible performances listed above.
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